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<a style="color: rgb(34, 34, 34); font-family: Calibri, sans-serif; font-size: 12pt;"><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Carol Vernallis, Holly Rogers and Lisa Perrott are happy to announce the fourth book in our Bloomsbury
series, </span></a><span style="color: rgb(34, 34, 34); font-size: 12pt; font-family: Cambria, serif;"><a href="https://www.bloomsbury.com/us/series/new-approaches-to-sound-music-and-media/" target="_blank" style="color:rgb(17,85,204)"><b><span style="color:rgb(5,99,193); font-family:Cambria,Georgia,serif; font-size:12pt">New
Approaches to Sound, Music and Media</span></b></a></span><span style="font-size: 12pt; font-family: Cambria, Georgia, serif; color: black;">.</span><span style="font-size: 12pt; font-family: Cambria, Georgia, serif; color: black;"><b> </b></span><span style="font-size: 12pt; font-family: Cambria, Georgia, serif; color: black;">(</span><span style="color: rgb(34, 34, 34); font-size: 12pt; font-family: Cambria, serif;"><a href="https://www.bloomsbury.com/uk/series/new-approaches-to-sound-music-and-media/" target="_blank" style="color:rgb(17,85,204)"><span style="color:blue; font-family:Cambria,Georgia,serif; font-size:12pt">https://www.bloomsbury.com/uk/series/new-approaches-to-sound-music-and-media/</span><span style="color:blue"><wbr><wbr><wbr></span></a></span><span style="font-size: 12pt; font-family: Cambria, Georgia, serif; color: black;">)</span><br>
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<i><span style="font-family:Cambria,serif"><a href="https://www.amazon.com/Cybermedia-Explorations-Science-Vision-Approaches-dp-1501357034/dp/1501357034/ref=mt_other?_encoding=UTF8&me=&qid=1639976830" target="_blank" style="color:rgb(17,85,204)"><span style="font-family:Cambria,Georgia,serif; font-size:12pt"> Cybermedia:
Explorations in Science, Sound, and Vision</span></a></span></i><span style="font-family:Cambria,Georgia,serif; color:black; border:1pt none windowtext; padding:0in; font-size:12pt"> (edited by Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal) </span><span style="font-family:Cambria,Georgia,serif; color:rgb(32,31,30); border:1pt none windowtext; padding:0in; font-size:12pt">traces
how contemporary media engage with new technologies like robotics, psychometrics, big data, and AI. It pairs humanists’ close readings of contemporary media (like </span><span style="font-family:Cambria,Georgia,serif; color:rgb(32,31,30); border:1pt none windowtext; padding:0in; font-size:12pt"><i>Westworld </i></span><span style="font-family:Cambria,Georgia,serif; color:rgb(32,31,30); border:1pt none windowtext; padding:0in; font-size:12pt">and</span><span style="font-family:Cambria,Georgia,serif; color:rgb(32,31,30); border:1pt none windowtext; padding:0in; font-size:12pt"><i> Black
Mirror</i></span><span style="font-family:Cambria,Georgia,serif; color:rgb(32,31,30); border:1pt none windowtext; padding:0in; font-size:12pt">) with scientists’ discussions of the science and math that inform them</span><span style="font-family:Cambria,Georgia,serif; color:black; border:1pt none windowtext; padding:0in; font-size:12pt">. </span><span style="font-family:Cambria,Georgia,serif; color:black; border:1pt none windowtext; padding:0in; font-size:12pt"><i>Cybermedia</i></span><span style="font-family:Cambria,Georgia,serif; color:black; border:1pt none windowtext; padding:0in; font-size:12pt"> bridges
one of the gaps between science and the humanities. </span><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; border:1pt none windowtext; padding:0in; font-size:12pt">This text includes contributions by scholars from many disciplines (music, media, philosophy, computer science and neuroscience—as well as
directors and other industry practitioners) to consider a range of films and TV shows including </span><span style="font-family:Cambria,Georgia,serif; color:black; border:1pt none windowtext; padding:0in; font-size:12pt"><i>Ex Machina, Mr. Robot, Under the
Skin, Sorry to Bother You, Black Mirror, and Westworld.</i></span><span style="font-family:Cambria,Georgia,serif; color:black; border:1pt none windowtext; padding:0in; font-size:12pt"> Through a variety of critical, theoretical, and speculative approaches,
the collection facilitates interdisciplinary thinking and collaboration as well as provides readers with the means to respond to these new technologies. </span><span style="font-family:Cambria,serif"></span></p>
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<b><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">REVIEWS</span></b><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">“The membrane between media and mind has been dissolving for a century. </span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Cybermedia </i></span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">turns
the membrane into an irrigation system. A new kind of practice as much as a book, </span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Cybermedia</i></span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> brings
makers, scientists and scholars into dialogues that pass through old borders, subtly transformed and transforming. From comic books to paranoia, neurotransmitters to Radiohead, </span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Cybermedia </i></span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">opens
a new landscape of social-technical minds and media as things to study and ways of studying them.”—</span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Sean Cubitt, Professor of</i></span><span style="font-family:Cambria,serif; color:black"><i><span style="font-family:Cambria,Georgia,serif; font-size:12pt"> </span><span class="x_il" style="font-family:Cambria,Georgia,serif; font-size:12pt">Screen</span><span style="font-family:Cambria,Georgia,serif; font-size:12pt"> </span></i></span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Studies,
University of Melbourne, Australia</i></span><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">“</span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Cybermedia</i></span><span style="font-family:Cambria,serif; color:black"><span style="font-family:Cambria,Georgia,serif; font-size:12pt"> </span></span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">testifies
to the ways in which practitioners, scientists and scholars are keeping track of, or, indeed, anticipate, the resulting, emergent web of interrelations, and how the porosity between culture and science affects our sensorium. Relying on a two-way approach,
a look at science through popular culture, and a science-informed exploration of popular culture,</span><span style="font-family:Cambria,serif; color:black"><span style="font-family:Cambria,Georgia,serif; font-size:12pt"> </span></span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Cybermedia</i></span><span style="font-family:Cambria,serif; color:black"><span style="font-family:Cambria,Georgia,serif; font-size:12pt"> </span></span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">is
both a critical tool box and an invitation to navigate the wondrous territories of media culture in the era of accelerated technologization.”—</span><span style="font-family:Cambria,serif; color:black"><span style="font-family:Cambria,Georgia,serif; font-size:12pt"> </span></span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Martine
Beugnet, Professor in Visual Studies, Université de Paris, France</i></span><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">“The advent of artificial intelligence and cyberspace has a dark and light side, with many challenges and alluring opportunities. This collection engages—literally—with the ‘light
side,’ drilling down on how our scientific understanding of sentience underwrites our experience of the lived world—an experience that now rests so heavily on the media and its accompanying technologies. The multilateral perspective offered by this book is
so timely, especially for the many of us who will have to transcend the worlds of science and media in the future.” —</span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Karl J. Friston, FRS, FMedSci, FRSB, Neurology, University
College London, UK</i></span><i><span style="font-family:Cambria,serif"></span></i></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">“A thrilling exploration of the resonances between circuits of creativity, software, and the brain.” —</span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Steven
Shaviro, DeRoy Professor of English, Wayne State University, USA</i></span><i><span style="font-family:Cambria,serif"></span></i></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">CYBERMEDIA: EXPLORATIONS IN SCIENCE, SOUND, AND VISION</span></b><span style="font-family:Cambria,serif"></span></p>
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<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">TABLE OF CONTENTS</span></b><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">1. Introduction</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Jonathan Leal and Carol Vernallis</span><span style="font-family:Cambria,serif"></span></p>
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<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span></b><span style="font-family:Cambria,serif"></span></p>
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<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Part I: AI and Robotics</span></b><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">2. </span><span lang="EN-CA" style="font-family:Cambria,serif; color:black"><a style="color:rgb(34,34,34)"></a><a style="color:rgb(34,34,34)"></a></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">“Who’s
Better at Maximizing Objective Functions, Real or Fictional AIs?”</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Jay McClelland (Stanford University)</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">3. “Director Alex Garland Converses with </span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Cybermedia</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">’s
Scientists and Media Scholars”</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Jonathan Leal (USC) and Carol Vernallis (Stanford University)</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">4. “(S)</span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Ex Machina</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> and
the Cartesian Theater of the Absurd”</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Simon D. Levy and Charles W. Lowney (Washington and Lee University)</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">5. “Epiphany, Infinity and Transcendent AI”</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Zachary Mason (Amplitude Analytics)</span><span style="font-family:Cambria,serif"></span></p>
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<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span></b><span style="font-family:Cambria,serif"></span></p>
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<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Part II: Big Data, Sentience, and the Universe</span></b><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">6. “A MASSIVE Swirl of Pixels”</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Steen Ledet Christiansen (Aalborg University)</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">7. “Body-Knowing and Neural Nets: Is a Machine's Ability to Learn Human Skills a Victory for Reductionism?”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Charles W. Lowney (Washington and Lee University)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">8. </span><span lang="EN-CA" style="font-family:Cambria,serif; color:black"><a style="color:rgb(34,34,34)"></a><a style="color:rgb(34,34,34)"></a></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">“The
Quantum Computer as Sci-Fi’s Favorite Character—</span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Devs</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">’</span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>s</i></span><span lang="EN-CA" style="font-family:Cambria,serif; color:black"><span style="font-family:Cambria,Georgia,serif; font-size:12pt"> </span></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Approach
to Quantum Physics”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Leonardo De Assis (Stanford University)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<a></a><a></a><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">9. “</span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Ex Machina</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> as
a Movie about Consciousness”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Murray Shanahan (Imperial College London)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span></b><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Part III: The Neuroscience of Affect and Event Perception</span></b><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">10. “‘A Solid Popularity Arc’: Affective Economies in </span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Black Mirror</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">’s
‘Nosedive’”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Dale Chapman (Bates University)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">11. “Cognitive Boundaries, ‘Nosedive’ and </span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Under the Skin</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">:
Interview with Jeffrey Zacks”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<a></a><a></a><a></a><a></a><a></a><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Carol Vernallis (Stanford University) and Jonathan Leal (USC)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">12. “Why Comics?: Toward An Affective Approach”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Frederick Aldama and Laura Wagner (OSU)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span></b><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Part IV: The Digital West</span></b><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">13. “</span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Westworld</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">:
Some Philosophical Puzzles about Android Experience”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Paul Skokowski (Stanford University)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">14. “A.I., Self, and Other: </span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Westworld</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">’s</span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i> </i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">New
Visions of the Old West</span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>”</i></span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Christopher Minz (Georgia State University)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">15. “Automata and Player Pianos: A Close-Reading of </span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Westworld</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">’s
Score (Then and Now)”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Annabel J. Cohen (University of Prince Edward Island)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">16. “Color and Conservatism in Cybermedia”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Alex Byrne (MIT) & David Hilbert (University of Illinois at Chicago)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Part V: Interface, Desire, Collectivity</span></b><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">17. “Veiled Sonics: Interface and Black"</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Liz Reich (Connecticut College)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">18. “Technology, Chaos, and the Nimble Subversion of </span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Random Acts of
Flyness</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Eric Lyon (Virginia Tech)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">19. “</span><span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Expecting the Twist: How Media Navigate the Intersections Among Different Sources
of Prior Knowledge”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Noah Fram (Stanford)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<b><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Part VI: Productive Neuropathologies</span></b><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">20. “Digital Vitalism”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Marta Figlerowicz (Yale University)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">21. “Neuroplasticity, Closure, and the Brain”</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Sara Ferrando Colomer (Northwestern University)</span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
<p class="x_MsoNormal" style="margin-top: 0px; margin-bottom: 0px;margin:0in; color:rgb(34,34,34); background-color:rgb(255,255,255); font-size:12pt; font-family:Calibri,sans-serif">
<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">22. “Where is My Mind? </span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Mr. Robot</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> and
the Digital Neuropolis”</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Patricia Pisters (University of Amsterdam)</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">23. “Dopamine Circuits: Wanting, Liking, Habits, and Goals” An Interview about </span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"><i>Mr.
Robot</i></span><span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> with Neuroscientist Talia Lerner (Northwestern University)</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Carol Vernallis (Stanford University) and Jonathan Leal (USC)</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">24. “Taste as Aesthetics and Biological Constraints” An Interview with Neuroscientist Hojoon Lee (Northwestern University)</span><span style="font-family:Cambria,serif"></span></p>
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<span lang="EN-CA" style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">Julia Peres Guimaraes (Northwestern University), Selmin Kara (OCAD University), and Carol Vernallis (Stanford University)</span><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt"> </span><span style="font-family:Cambria,serif"></span></p>
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<span style="font-family:Cambria,Georgia,serif; color:black; font-size:12pt">We’d like to share that Bloomsbury is offering 10-20% off book titles. Please feel free to send Holly, Lisa, or me proposals for manuscripts and collected volumes. <br>
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